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“The couple of the two foxes, the fox and the cunning little vixen, is also one of the strongest we have seen in the work: Angela Brower’s fox is remarkable. The singer whose quality we know is almost a revelation here. The couple formed with Tsallagova is incredibly fresh, never…
“Angela Brower es una estupenda mezzo que encarnó con brillantez el doble papel de La Musa y Niclausse, el amigo y salvador muchas veces del alocado Hoffmann. Su actuación fue de gran nivel, demostrando ser además una consumada actriz. Uno de los mejores momentos musicales lo protagonizó ella con esa…
“Probably the best piece of casting was Angela Brower as Annio, with just the right amount of personality in her voice and ability to deliver things with palpitating urgency; she shaped ‘Torna di Tito a alto’ with a find sense of line.” British journal
“Dorabella (Angela Brower) has a warm mezzo timbre and slim coloratura, and interacts with a refreshingly lively joy of playing.” Klassik.com
“Angela Brower knows how to paint the emotion through technical refinements particularly appreciable in the pianissimi of the high register.” OperaClick “the wonderfully blossoming soprano by Angela Brower, especially in the musing-elegiac moments…” Salzburger Nachtrichten
“Angela Brower, in her Met debut, played a dynamic, youthful Octavian, believably teenaged from his flatfooted ardor with the Marschallin to the self-assurance he must fight to summon when confronting Ochs in act two….Vocally, Brower offered similar youth and dynamism, with a full bottom register and a blossoming, bright top.,…
